Invisible cloak

My heart swings open.

They climb inside

Squirm

Get comfortable

It sounds like

The womb

Smells like

Heaven

Looks like

Beauty

Feels like

Somewhere hurt can't find

An invisible cloak

Of soft supple folds

Bound together

With a sheath of power

A gauzy squeeze

Ripped with bruises

Grasping

Gasping

For time

All they do is grow

Bloom

They are never the same

From one minute

To the next.

Neither am I.

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Kaleidoscope

My girls need me.

They need me to pay attention, soothe, be steadfast.

But I am erratic.

My attention is scattered in piles like fallen leaves in the autumn.

Cayenne crimson, turmeric orange, ginger yellow.

The colors of my temper, spicy like the evil twin

who lives somewhere in my head not heart.

The earth spins and the leaves die and

emotions run like wild horses and

no one can control any of it.

I see it in my daughter.

Four years-old with emotions loud as a train wreck.

She opens up her heart when its bursting and

spills her frustrations all over the universe.

Like fallen leaves in the autumn.

More than I am angry I am glad

She expresses herself with the freedom of a person who is safe.

Wild horses do not thrive in cages or in crowds.

But in wide open spaces

our emotions have room to dance and turn

an ever-shifting kaleidoscope

its beauty a product of all the colors.

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Infinite tunnel

Everyday I open to the love that pulses through my veins

A love that comes from unfathomable depths through infinite tunnels

I fear this love will turn me mad and still, I love on

An interesting shade of beauty shines with messy precision

I cannot conquer the messes nor match the precision

Either I open to this beauty and it trickles through me

Infusing everything I feel, say, touch, hear and do

Or the beauty paralyzes me

I can't move lest everything fall to pieces

Opening contracting closing

Closing is part of the opening.

 

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Opening

Opening to the tightness in my hips the weakness in my shoulders the strength in my legs /

Surrendering to the hormones in my blood the softness in my belly the crookedness of my spine /

Embracing the milk in my breasts the asymmetry of my face the truth in my smile /

Seeing light through my eyes hope through my words the future through my children.

 

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my full moon super powers

my full moon super powers--

Fly. See all of creation from up there. Skip through space to embody unknown dimensions. Walk to the other side of this planet. Understand the nature of beauty. Feel history as it pulses under my skin. Read a book by picking it up. Traverse the highway of time. Float. Levitate. Hover. Become everyone at once. Speak without words. Communicate across blank spaces. Shapeshift. Tumble through clouds. Read my heart aloud. Hold conviction as strong as the ocean. See God in the looking glass. Memorize the map engraved upon the deepest layer of spirit. Live the loftiest existence of my soul's imagination. Catch my baby's cries with unconditional kisses. Hold them forever. Grant grandiose wishes with the wink of my eye. Erase conflict with the nod of my head. Become the wind. Exhale abundance. Hear the echoes of animals. Unpeel the scars of living. Disappear. Reappear. Remember. Turn inside out. Show my insides to the kindred. Love all the children. Breathe in the babies. The crown of each head. Wrap my arms around the ocean. Unwrap the meaning of now. Sit in the stillness of sun. Bloom. Keep faith between my fingers, always close to my fingertips. Intuit without doubting. Play life like a movie. Slow motion. Rewind. Fast forward. Repeat. Open. Heart, mind, soul. Of infinite boundaries.

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Photo credit: Alisha Sommer

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Release

An excerpt from the novel I started last year during NaNoWriMo that I'm just now getting around to editing. Follow the blog for more updates on my work in progress. Gloria stands up with a dramatic flourish, touching her belly. “Ralph and I are having a baby.”

I drop my fork and stifle a bellow. “Are you joking?”

“Why would I joke about that?”

“Because you don’t want kids. You don't even like children.”

My sister sits back down, staring at me with a familiar hatred. It's the same look Jerry's wife gave me. I cannot hold her gaze and I cannot look at anyone else for fear of reflecting the abomination onto an innocent. I know now that looks can kill. I pick apart my food instead.

Ralph clears his throat. “Gloria and I have been planning this baby for a long time,” he says.

“We built the house with children in mind,” she adds.

“Now you’re going to have more than one?” I say. Isolde squeezes my leg under the table in warning.

“Well, one at a time,” she says. My head spins, threatening paroxysm. Gloria isn’t allowed to have it all. She already possesses a career she loves, a house so new and clean you could eat off of the floor, and a handsome husband who squeezes her every time she walks by. I may have none of those three things, but I have three babies, three boys, three reasons that my life isn’t a total loss. The candle light blurs and my heart burns in the inferno that becomes envy if it goes unchecked for too long. My plate is full and my appetite has returned to its usual void. My stomach feels heavy and if I were alone, I would stick my finger down my throat and vomit. Vomiting is like a release for me, like a sneeze or an orgasm or a bloody cut.

Rainbows

In response to this week's Tipsy Lit prompt: write about an adult topic seen through a child’s eyes.

When the sun beamed its mustard face through the window, Tanner could squint his eyes and see a rainbow swaying in his Mommy’s mirror, smiling at him like the man in the sweet shop. His neighbor lady, Dawn, said good things always followed a rainbow. She wore messy rainbows on her clothes every day. She made them herself, and she made one for Tanner, too. 

“Ugh. Do you have to wear that shirt? It’s so hippie-dippy,” said his Mommy, her voice scrunched. Mommy hated Dawn, but she still let Tanner fall asleep on Dawn’s couch every night, scratchy and moldy, cartoons fading into dreams. 

Tanner’s Mommy didn’t work all day like other mommies. She smoked her special sticks and painted her toe nails pretty and yelled at Ricki Lake and made snickerdoodle cookies. Her friends came over sometimes and they drank from tall brown bottles in between kissing on the mouth. They kissed like their tongues tasted of custard, or something else you couldn't stop tasting. Tanner felt funny on the underside of his tummy when they panted and licked like the stray puppies who rolled around the neighborhood. Sometimes his Mommy gave him a lollipop and changed the TV to cartoons and took her friend by the fingers.

“Now be a good boy while Mommy has grown up time, okay?”

“What’s grown up time, Mommy?” 

“It’s when we talk about grown up things.”

“What are grown up things?”

“I’ll tell you when you’re older.”

The men smiled big yucky smiles, their teeth sharp as the big bad wolf, while she ruffled his hair and winked one eye. He listened for the click, the signal she’d pushed in the lock, and then he pressed his ear against the door and listened for grown up things. But they didn’t talk. They jumped on the bed and Mommy made sounds like she was eating a box of chocolates or slipping into a bubbly bath.

Sometimes Tanner tip toed back to the TV like a good boy and sometimes he walked down the street slow as a tortoise, hunting for friends that didn’t want to be caught. He offered a freckled girl on a strawberry bicycle a lick of his lollipop one day.

"It's strawberry! You'll love it!"

"Gross!” she screamed, pedaling away, calling for her daddy. Tanner wished he could call for his daddy, but he already knew that no one would come.

Mommy’s friends always left before dinner. She cut hot dogs into octopuses and baked chicken into dinosaurs. He drank big boy milk and she gulped purple mommy juice and they smashed their glasses together and said “cheers!” After dinner, she packed up her big black bag with underwear and sparkly shoes and a funny wig. He liked the long yellow one best because it turned Mommy into Rapunzel. Mommy loved to be beautiful, she said it felt like she’d captured the stars in her pocket.

At work, she twirled on a stage, and she did it so nicely, like a fairy princess, that people gave her money. Whenever Tanner asked her to dance for him, she grabbed his hands and they spun around the living room until they fell to the ground in a happy pile.

He tried to wait up for her always, but his eyelids grew heavy as rain clouds. Always. When the stage set her free, she carried him from Dawn’s couch to his bed so that he awoke in a different place than he’d fallen asleep. He loved waking up in his own little bed, counting the cars on his bed sheets.  

But one morning, he woke up on Dawn’s couch and it felt like the world had cracked open for a one-eyed hairy monster to crawl out. It chewed up his brains and left him dead but alive and itchy. Dawn’s face, round as the full moon, appeared before his nose, asking him if he wanted rainbow loops or frosted flakes for breakfast.

“I want Mommy.”

“Well I'm not sure where she’s at, little guy.”

tie dye rainbow

image credit: themusicreunion.com

Prank Caller

For this week’s prompt at Tipsy Lit, we are to write about insanity. What would push your character over the edge? How would they snap? Is it a one time, violent snap and then return to sanity or do they cross over forever? What does that look like? Do they know they’re crazy? I’ve learned to adapt to my mother’s quirks. She doesn’t attend parent-teacher conferences without Jasper the guinea pig peaking out of her carpet bag. My teachers look at me a bit differently after they've met my mother. She dyes her hair a different color on the first of every month, hues of copper and sunshine and mahogany, because she believes it keeps others from recognizing her. Never mind that she has worn the same obtrusive floppy hat and cat-eye sunglasses and shade of Revlon lipstick (burnt sienna) for longer than it takes to turn over every cell in the body.

She lists her occupation as “Mother” although I fit the role better than she does. I cook the spaghetti and clean behind my own ears and forge her signature to pay the bills and intercept the phone calls. After she got arrested last year for too many prank calls to the 911 operator, I started locking up the telephone. She hurled a crystal vase against the wall the first time I did it, but I scurried out the front door by the time it shattered like an airplane crashing. She never mentioned the phone again.

I wish I could say that something happened to make her this way, and I suppose it had to be a lost chapter of her childhood, something she will never admit. Because her photo albums tell a different story. She led a privileged life, a girlhood of equestrian endeavors and private schools and holidays in the Mediterranean. She achieved her first expulsion at my age (thirteen and a half) when she walked through the halls of her prep school naked as a newborn.

These days, from what I can tell, she devotes her life to stretching. She calls the yoga mat her sacred space. She can twist her limbs into a pretzel and she can sit cross-legged all day long. I bet she was sitting cross-legged, looking zen as a Buddhist priest, when she made those phone calls.

Sometimes I hate her. When I tell her so, she threatens to jump off of the Aurora bridge. I know she would do it. It's too easy to close my eyes and see her broken body flattened in a parking lot, human flesh turned to red paint. She says I’m her only reason for living. And so I have learned to swallow my hatred when I feel it, blistering my heart instead of my mother's. I can’t help but love her. It’s like an addiction.

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Photo credit: mikecogh via Compfight cc

Hypocrite

Errant words of wisdom mosey through my mindStrutting like rhinestones, sparkling but weak I kiss them hello with lips that will curse them Roused by sincere reverence that fades by tomorrow.

I am no hypocrite. I am someone with dreams Smooth and supple on the inside, pretty on the outside Lungs crimson with blood rather than charred with Smoke and fire and tumors stocked with poison.

The church says to confess and repent and be healed But God already knows every heart I've broken, so I tell them to go to hell, they say I'm going there soon I say we might be here already.

There's no escaping destiny when it's contained by Sagebrush and juniper trees, tumbleweeds and desert breezes Stale motel rooms where a companion costs extra Even the pizza man if he comes in and shuts the door.

God does not want me to heal, God wants me to Bruise and bleed so I can slip out of this body and Into another. Maybe my soul was not ripe enough for now Maybe this valley leads to a mountain with a view.

When I climb out from under my skin, the scars will stay Dissolving with the defiled flesh of a hypocrite A liar, a thief, a charlatan, a childless mother. Everything temporary like this body I never learned to love.

Everything to Lose

Written for Trifecta. The prompt is to use the third definition of "crack." There were no words in her mind, no being left to be, no imagination tugging at her lapels every time she laid down to sleep. Avery's talent had been siphoned away, like the bone marrow from a willing donor or the breath from a man who'd hung himself.

But Avery was neither willing nor suicidal. The sentences slipped out through the hole in her heart. Where everything important to her had once resided with vigor. The husband that disappeared, and the son with him, and finally the career as a writer. They called her promising. She abided by her dreams and built something from nothing. Until evil kidnapped her everything.

She sits in coffee shops and watches the people, the pages before her as blank as the first snowfall of winter lit by the dawn. They look so proud, climbing out of smooth shiny cars, faces pointing towards the sun like flaxen sunflowers. They beam at one another with nonfictional jubilation, they focus on their work when they sit, they curl their tongues and bite their lips and pucker their eyes. Life pours out of their crevices because they know they have everything. Avery wants to warn them, she wants to slip each of them a note.

If you have everything, then you have everything to lose.

She moves to Paris to write. Where cafe tables populate sidewalks and sidewalks meander into unmarked alleyways. Where children chain smoke and women with ripe round bellies drink glasses of wine. She buys opium from a street peddler with a chipped face and she smokes it over the electric stove in her rented white-walled studio. She hears words strung into run-on sentences. She presses her ear against a crack in the wall, but the voices aren't coming from the neighbor she's never seen.

The voices are coming from inside of her head.

Somebody Got Shot

I told them to go: Daddy,Take her to her favorite place The library. Pick up the Thai food And come home, be safe.

They come home and I kiss them We eat together, then we watch Fantasia while I stretch and Daddy works. A normal evening.

Except for the police racing about Daddy wondered why, I said: Guns The last time I saw them speeding Without sirens, somebody got shot.

The neighborhood blog flashed a notice: A shooting at the corner, near the library At 6:45. My reasons for living crossed paths With a gunman, and I sent them.

I get on my knees, blessing my Angels, my worst fears curling and Charred, touched by the fires of hell While I pray for their mothers.

letting go

Written for Trifecta. She looks between her legs, white paper stained crimson. It wasn't supposed to happen this way.

Her body, round as Mother Earth, heaves, like the ship against the waves. She tries holding her breath, drowning herself in the murky density of the mind.

"I want to die!" she shouts when the pain subsides. But her voice comes out of the wrong end. It travels inward rather than out. She doesn't have much time until the next attack. Thought falls into the shadow of suffering. The core of her cramps.

"You're going to survive," a man says. The tightening squeezes the life out of her. She climbs into his words.

You... Will... Survive...

She lives inside of the words. Intellect dissolves and their essence cradles her in an Elysian cocoon. She knows she is dying.

"Let me go," she says. "Throw me to the sea." But the interlude doesn't last. Force demands freedom. The big boom, the beginning of the universe, travels through her body, splitting open her pelvis. She bares down, until she realizes she is about to break in two like a seashell.

"Push your hardest, then let it go. Push, let go. Push, let go."

Push... Let go...

The first time she opens up, she does not break, she widens. Heaven passes through the hole in her body.

Faceless arms hand her a tiny child, naked and disoriented. Blankets, a hat descends, gloved fingers point her nipple between miniature lips. She holds his squirming body against her own. She looks at the suckling chin, a chin she already knows well. She thinks of nothing, not of love or of pain, but of what she has learned about mothering.

The hardest part is letting go.

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